Shot today, live
by 11 AM
Shot today, live
by 11 AM
Shot today, live
by 11 AM
Shot today, live
by 11 AM
โน
Trusted by
Selected Brands
I'm a Los Angeles creative director and VFX artist for sports and entertainment brands. You bring the goal. I build the vision before a frame is shot, capture it when it matters, and deliver a campaign's worth of work, ready for every platform. Recaps land on your screen the morning after. Trusted by Oakley, the PGA TOUR, the LPGA and Notre Dame, with films that have cleared 100,000 views.
(01)
This Is For You
Who it's for
and who it isn't
Who it's for
and who it isn't
Who it's for
and who it isn't
Who it's for
and who it isn't
For you if
ยท you have a launch or campaign date.
ยท you have a budget in place.
ยท you want a creative partner.
Not for you if
ยท you're only collecting prices.
ยท you're booking with less than a week's notice.
ยท no one on your side can sign off.
(02)
How It Works




01
Concept
You bring the goal. I build the vision to match it: the story, the shot list, the VFX plan, all before a frame is shot.
01
Concept
You bring the goal. I build the vision to match it: the story, the shot list, the VFX plan, all before a frame is shot.
01
Concept
You bring the goal. I build the vision to match it: the story, the shot list, the VFX plan, all before a frame is shot.
02
Capture
Executed in the moment it matters. I know the sport, so nobody has to explain the play or babysit the shoot.
02
Capture
Executed in the moment it matters. I know the sport, so nobody has to explain the play or babysit the shoot.
02
Capture
Executed in the moment it matters. I know the sport, so nobody has to explain the play or babysit the shoot.
03
Campaign
One shoot becomes a campaign's worth of work: hero film, cutdowns and VFX, ready for every platform.
03
Campaign
One shoot becomes a campaign's worth of work: hero film, cutdowns and VFX, ready for every platform.
03
Campaign
One shoot becomes a campaign's worth of work: hero film, cutdowns and VFX, ready for every platform.
(03)
Testimonials




From the people who've handed me the vision.
(05)
FAQ
You ask
we answer
You ask
we answer
You ask
we answer
You ask
we answer
These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
(06)
Book a call
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Answer a few quick questions, then pick a time. Your call is booked when you submit.


