Shot today, live

by 11 AM

Shot today, live

by 11 AM

Shot today, live

by 11 AM

Shot today, live

by 11 AM

โœน

Trusted by

Selected Brands

  • Cosm logo
  • Cosm logo

I'm a Los Angeles creative director and VFX artist for sports and entertainment brands. You bring the goal. I build the vision before a frame is shot, capture it when it matters, and deliver a campaign's worth of work, ready for every platform. Recaps land on your screen the morning after. Trusted by Oakley, the PGA TOUR, the LPGA and Notre Dame, with films that have cleared 100,000 views.

(01)

This Is For You

Who it's for

and who it isn't

Who it's for

and who it isn't

Who it's for

and who it isn't

Who it's for

and who it isn't

For you if

ยท you have a launch or campaign date.

ยท you have a budget in place.

ยท you want a creative partner.

Not for you if

ยท you're only collecting prices.

ยท you're booking with less than a week's notice.

ยท no one on your side can sign off.

(02)

How It Works

Nelly Korda at the Chevron Championship
Process
Notre Dame football players celebrating
Process
Nelly Korda at the Chevron Championship
Process
Custom car wheel animation
Process

01

Concept

You bring the goal. I build the vision to match it: the story, the shot list, the VFX plan, all before a frame is shot.

01

Concept

You bring the goal. I build the vision to match it: the story, the shot list, the VFX plan, all before a frame is shot.

01

Concept

You bring the goal. I build the vision to match it: the story, the shot list, the VFX plan, all before a frame is shot.

02

Capture

Executed in the moment it matters. I know the sport, so nobody has to explain the play or babysit the shoot.

02

Capture

Executed in the moment it matters. I know the sport, so nobody has to explain the play or babysit the shoot.

02

Capture

Executed in the moment it matters. I know the sport, so nobody has to explain the play or babysit the shoot.

03

Campaign

One shoot becomes a campaign's worth of work: hero film, cutdowns and VFX, ready for every platform.

03

Campaign

One shoot becomes a campaign's worth of work: hero film, cutdowns and VFX, ready for every platform.

03

Campaign

One shoot becomes a campaign's worth of work: hero film, cutdowns and VFX, ready for every platform.

(03)

Testimonials

Real
Stories
Real
Stories
Real
Stories
Real
Stories

From the people who've handed me the vision.

(04)

Work Examples

Recent work

(05)

FAQ

You ask

we answer

You ask

we answer

You ask

we answer

You ask

we answer

These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ€” VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.

Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.

You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.

There is a standard of two revision rounds, with additional options available for further revisions.

The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.

It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.

It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.

Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.

These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ€” VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.

Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.

You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.

There is a standard of two revision rounds, with additional options available for further revisions.

The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.

It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.

It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.

Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.

These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ€” VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.

Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.

You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.

There is a standard of two revision rounds, with additional options available for further revisions.

The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.

It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.

It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.

Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.

These are two distinct services for two distinct needs. The video portfolio is full of creative productions โ€” VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.

Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.

You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.

There is a standard of two revision rounds, with additional options available for further revisions.

The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.

It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.

It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.

Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.

(06)

Book a call

Date on the

calendar?

Date on the

calendar?

Date on the

calendar?

Date on the calendar?

Answer a few quick questions, then pick a time. Your call is booked when you submit.

Harry
Custom car wheel animation
Peluso
Harry
Novak Djokovic at Indian Wells
Peluso
Harry
Notre Dame football players celebrating
Peluso
Harry
Nelly Korda at the Chevron Championship
Peluso
Harry
Novak Djokovic at Indian Wells
Peluso