Notre Dame-trained engineer turned creative director and VFX editor.

Notre Dame-trained engineer turned creative director and VFX editor.

Notre Dame-trained engineer turned creative director and VFX editor.

A studio enviroment room

(01)

Background

My

Background

I am a creative director and VFX editor for the world's biggest sports and entertainment brands. Driven to impact communities through stories, I use a combination of visual effects and cinematic videography to translate real moments into video pieces that move people.

I am inspired by my mixed Japanese-Italian heritage and childhood experience of living in three states to create stories that transcend culture. I combine this creative vision with data and trend analysis from my University of Notre Dame engineering background to match visuals with a deep understanding of what resonates with those behind the screen. Creatively and analytically, I bring a unique combination of instinct and rigor that bridges the gap between compelling content and measurable impact.

The Journey

The Journey

The Journey

From engineering roots to creative direction.

From engineering roots to creative direction.

2016

My First GoPro

I got a GoPro Hero 4 for Christmas. It sparked my love for storytelling.

2017–2021

Editing in high school

Editing for Chaminade Sports. Upgraded from iMovie to Adobe Premiere and After Effects.

2021-2024

Notre Dame Fighting Irish Media

First time being paid to create with a professional team. On the sidelines in front of 70,000 Irish fans.

2024

Started Creative Consulting

Working with clothing brands and startups to gain more experience during my senior year at Notre Dame.

2025

Moved to LA

Moved cross country to grow my brand and clientele.

2026

New Clients & Projects

Filming for Oakley, The PGA & LPGA, Indian Wells, and more to come...

2016

My First GoPro

I got a GoPro Hero 4 for Christmas. It sparked my love for storytelling.

2017–2021

Editing in high school

Editing for Chaminade Sports. Upgraded from iMovie to Adobe Premiere and After Effects.

2021-2024

Notre Dame Fighting Irish Media

First time being paid to create with a professional team. On the sidelines in front of 70,000 Irish fans.

2024

Started Creative Consulting

Working with clothing brands and startups to gain more experience during my senior year at Notre Dame.

2025

Moved to LA

Moved cross country to grow my brand and clientele.

2026

New Clients & Projects

Filming for Oakley, The PGA & LPGA, Indian Wells, and more to come...

(02)

Services

Services
Services
Services
Services
Services
01Creative Direction

We dive into the essence of your brand, exploring your mission, values, and audience to develop a creative direction that resonates.

Creative Direction
02Filming

We plan every shot around the campaign before we arrive, capturing live events and brand shoots with the precision to turn one day into a full campaign’s worth of footage.

Filming
03Editing

We shape raw footage into a story with broadcast-level motion graphics and sound design, cut for every platform and delivered without you having to chase it.

Editing
04Visual Effects

Broadcast-grade compositing, CG, and motion design — titles, type, and animated graphics built to live inside the edit.

Visual Effects
05Color grading

The look locked in and held across every shot — mood, contrast, and consistent tones that make a sequence feel like one film.

Color grading
06Sound Design

Audio built to match the picture — effects, texture, and a mix that give the edit weight.

Sound Design
01Creative Direction

We dive into the essence of your brand, exploring your mission, values, and audience to develop a creative direction that resonates.

Creative Direction
02Filming

We plan every shot around the campaign before we arrive, capturing live events and brand shoots with the precision to turn one day into a full campaign’s worth of footage.

Filming
03Editing

We shape raw footage into a story with broadcast-level motion graphics and sound design, cut for every platform and delivered without you having to chase it.

Editing
04Visual Effects

Broadcast-grade compositing, CG, and motion design — titles, type, and animated graphics built to live inside the edit.

Visual Effects
05Color grading

The look locked in and held across every shot — mood, contrast, and consistent tones that make a sequence feel like one film.

Color grading
06Sound Design

Audio built to match the picture — effects, texture, and a mix that give the edit weight.

Sound Design
01Creative Direction

We dive into the essence of your brand, exploring your mission, values, and audience to develop a creative direction that resonates.

Creative Direction
02Filming

We plan every shot around the campaign before we arrive, capturing live events and brand shoots with the precision to turn one day into a full campaign’s worth of footage.

Filming
03Editing

We shape raw footage into a story with broadcast-level motion graphics and sound design, cut for every platform and delivered without you having to chase it.

Editing
04Visual Effects

Broadcast-grade compositing, CG, and motion design — titles, type, and animated graphics built to live inside the edit.

Visual Effects
05Color grading

The look locked in and held across every shot — mood, contrast, and consistent tones that make a sequence feel like one film.

Color grading
06Sound Design

Audio built to match the picture — effects, texture, and a mix that give the edit weight.

Sound Design
01Creative Direction

We dive into the essence of your brand, exploring your mission, values, and audience to develop a creative direction that resonates.

Creative Direction
02Filming

We plan every shot around the campaign before we arrive, capturing live events and brand shoots with the precision to turn one day into a full campaign’s worth of footage.

Filming
03Editing

We shape raw footage into a story with broadcast-level motion graphics and sound design, cut for every platform and delivered without you having to chase it.

Editing
04Visual Effects

Broadcast-grade compositing, CG, and motion design — titles, type, and animated graphics built to live inside the edit.

Visual Effects
05Color grading

The look locked in and held across every shot — mood, contrast, and consistent tones that make a sequence feel like one film.

Color grading
06Sound Design

Audio built to match the picture — effects, texture, and a mix that give the edit weight.

Sound Design
01Creative Direction

We dive into the essence of your brand, exploring your mission, values, and audience to develop a creative direction that resonates.

Creative Direction
02Filming

We plan every shot around the campaign before we arrive, capturing live events and brand shoots with the precision to turn one day into a full campaign’s worth of footage.

Filming
03Editing

We shape raw footage into a story with broadcast-level motion graphics and sound design, cut for every platform and delivered without you having to chase it.

Editing
04Visual Effects

Broadcast-grade compositing, CG, and motion design — titles, type, and animated graphics built to live inside the edit.

Visual Effects
05Color grading

The look locked in and held across every shot — mood, contrast, and consistent tones that make a sequence feel like one film.

Color grading
06Sound Design

Audio built to match the picture — effects, texture, and a mix that give the edit weight.

Sound Design

(03)

Process

Process
Process
Process
Process
Process

01

Concept

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

01

Concept

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

01

Concept

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

01

Concept

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

02

Capture

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

02

Capture

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

02

Capture

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

02

Capture

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

03

Campaign

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

03

Campaign

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

03

Campaign

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

03

Campaign

Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.

(04)

Testimonials

Real
Stories
Real
Stories
Real
Stories
Real
Stories
  • "Harry Peluso has been great to work with through 3 Strand Sports. He has worked with several of our athletes and consistently produces high-quality, authentic content. He’s professional, creative, and easy to work with, and we highly recommend him."

    Nick Wisinski

    EVP of Client Development & Relations

  • “Harry is a talented and diligent creative, always driving towards fulfilling the client’s vision. He will give you maximum effort.”

    Digger O'Brien

    Marketing & Communications Sr. Producer

  • “Harry is a go getter and a talented creative who I’ve gotten the privilege of working with on multiple projects. He’s super down to earth, intentional, and overall awesome to work with!”

    Sam Huff

    CEO & Founder

  • “Harry is one of my favorite creators to work with. He is very responsive, has no problem with tight turnaround times, and his content always looks great. I highly recommend you work with him!”

    Alexis Francel

    UGC Manager

  • “Harry’s attention to detail is top notch and the overall output was of extremely high quality.”

    Phil Irvine

    CMO & Growth Operator

  • "Harry Peluso has been great to work with through 3 Strand Sports. He has worked with several of our athletes and consistently produces high-quality, authentic content. He’s professional, creative, and easy to work with, and we highly recommend him."

    Nick Wisinski

    EVP of Client Development & Relations

  • “Harry is a talented and diligent creative, always driving towards fulfilling the client’s vision. He will give you maximum effort.”

    Digger O'Brien

    Marketing & Communications Sr. Producer

  • “Harry is a go getter and a talented creative who I’ve gotten the privilege of working with on multiple projects. He’s super down to earth, intentional, and overall awesome to work with!”

    Sam Huff

    CEO & Founder

  • “Harry is one of my favorite creators to work with. He is very responsive, has no problem with tight turnaround times, and his content always looks great. I highly recommend you work with him!”

    Alexis Francel

    UGC Manager

  • “Harry’s attention to detail is top notch and the overall output was of extremely high quality.”

    Phil Irvine

    CMO & Growth Operator

  • "Harry Peluso has been great to work with through 3 Strand Sports. He has worked with several of our athletes and consistently produces high-quality, authentic content. He’s professional, creative, and easy to work with, and we highly recommend him."

    Nick Wisinski

    EVP of Client Development & Relations

  • “Harry is a talented and diligent creative, always driving towards fulfilling the client’s vision. He will give you maximum effort.”

    Digger O'Brien

    Marketing & Communications Sr. Producer

  • “Harry is a go getter and a talented creative who I’ve gotten the privilege of working with on multiple projects. He’s super down to earth, intentional, and overall awesome to work with!”

    Sam Huff

    CEO & Founder

  • “Harry is one of my favorite creators to work with. He is very responsive, has no problem with tight turnaround times, and his content always looks great. I highly recommend you work with him!”

    Alexis Francel

    UGC Manager

  • “Harry’s attention to detail is top notch and the overall output was of extremely high quality.”

    Phil Irvine

    CMO & Growth Operator

Harry
Peluso
Harry
Peluso
Harry
Peluso
Harry
Peluso
Harry
Peluso