These are two distinct services for two distinct needs. The video portfolio is full of creative productions — VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.

Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.

You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.

There is a standard of two revision rounds, with additional options available for further revisions.

The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.

It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.

It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.

Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.

My clients are usually marketing directors, creative directors, and brand leads at sports and entertainment companies, people who are responsible for the output and perception of a brand and need a creative partner they can trust to deliver at a high level consistently.

Yes. The portfolio represents a selection of projects, but there's always more to share depending on what's relevant to your specific project.

Both. Some clients work with me project to project and others bring me on as an ongoing creative partner.

Most creatives are either technically strong or personally branded — rarely both. My engineering background from Notre Dame means I approach every project with structure, systems, and a clear process, which makes me reliable in a way that purely instinct-driven creatives often aren't. Combined with the VFX and cinematic capability, it's a combination that's genuinely hard to find in one person.

Reach out and let's talk. Rush timelines are handled case by case depending on current availability and project scope.

Payment structure is defined during the scoping process before any work begins. Typically this involves a deposit to secure the project and a final payment upon delivery.

Yes, without hesitation. Confidentiality is standard practice and not something you need to negotiate for.