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✹
Trusted by
Selected Brands
Based in Los Angeles and fluent in English, Japanese and Spanish, I help brands like Nike and the LPGA show up in the feed the way real people do, with a creator's eye for what makes someone stop and watch. I make content that doesn't feel like an ad. Raw, authentic videos and photos for brands to run as organic posts or paid social, shot by someone who actually lives in sports and entertainment.
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This Is For You
Who it's for
and who it isn't
Who it's for
and who it isn't
Who it's for
and who it isn't
Who it's for
and who it isn't
For you if
· you have a launch or campaign date.
· you have a budget in place.
· you want a creative partner.
Not for you if
· you're only collecting prices.
· you need it done in a few days.
· you're not ready to approve work.
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How It Works
01
Concept
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
01
Concept
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
01
Concept
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
01
Timeline
We'll start with your project — timeline, goals, what success looks like for you.
02
Capture
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
02
Capture
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
02
Capture
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
02
Process
I'll walk you through my approach — how I work, what the process looks like, and what you can expect from me.
03
Campaign
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
03
Campaign
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
03
Campaign
Where it starts — the brief, the references, the treatment. We shape the idea before a frame is shot.
03
Progress
We'll figure out next steps together — if it's a fit, we'll talk about how to move forward. No pressure either way.
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Testimonials
We dive into the essence of your brand, exploring your mission, values, and audience to develop a creative direction
"Harry Peluso has been great to work with through 3 Strand Sports. He has worked with several of our athletes and consistently produces high-quality, authentic content. He’s professional, creative, and easy to work with, and we highly recommend him."
Nick Wisinski
EVP of Client Development & Relations
“Harry is a talented and diligent creative, always driving towards fulfilling the client’s vision. He will give you maximum effort.”
Digger O'Brien
Marketing & Communications Sr. Producer
“Harry is a go getter and a talented creative who I’ve gotten the privilege of working with on multiple projects. He’s super down to earth, intentional, and overall awesome to work with!”
Sam Huff
CEO & Founder
“Harry is one of my favorite creators to work with. He is very responsive, has no problem with tight turnaround times, and his content always looks great. I highly recommend you work with him!”
Alexis Francel
UGC Manager
“Harry’s attention to detail is top notch and the overall output was of extremely high quality.”
Phil Irvine
CMO & Growth Operator
"Harry Peluso has been great to work with through 3 Strand Sports. He has worked with several of our athletes and consistently produces high-quality, authentic content. He’s professional, creative, and easy to work with, and we highly recommend him."
Nick Wisinski
EVP of Client Development & Relations
“Harry is a talented and diligent creative, always driving towards fulfilling the client’s vision. He will give you maximum effort.”
Digger O'Brien
Marketing & Communications Sr. Producer
“Harry is a go getter and a talented creative who I’ve gotten the privilege of working with on multiple projects. He’s super down to earth, intentional, and overall awesome to work with!”
Sam Huff
CEO & Founder
“Harry is one of my favorite creators to work with. He is very responsive, has no problem with tight turnaround times, and his content always looks great. I highly recommend you work with him!”
Alexis Francel
UGC Manager
“Harry’s attention to detail is top notch and the overall output was of extremely high quality.”
Phil Irvine
CMO & Growth Operator
"Harry Peluso has been great to work with through 3 Strand Sports. He has worked with several of our athletes and consistently produces high-quality, authentic content. He’s professional, creative, and easy to work with, and we highly recommend him."
Nick Wisinski
EVP of Client Development & Relations
“Harry is a talented and diligent creative, always driving towards fulfilling the client’s vision. He will give you maximum effort.”
Digger O'Brien
Marketing & Communications Sr. Producer
“Harry is a go getter and a talented creative who I’ve gotten the privilege of working with on multiple projects. He’s super down to earth, intentional, and overall awesome to work with!”
Sam Huff
CEO & Founder
“Harry is one of my favorite creators to work with. He is very responsive, has no problem with tight turnaround times, and his content always looks great. I highly recommend you work with him!”
Alexis Francel
UGC Manager
“Harry’s attention to detail is top notch and the overall output was of extremely high quality.”
Phil Irvine
CMO & Growth Operator
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FAQ
You ask
we answer
You ask
we answer
You ask
we answer
You ask
we answer
These are two distinct services for two distinct needs. The video portfolio is full of creative productions — VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
These are two distinct services for two distinct needs. The video portfolio is full of creative productions — VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
These are two distinct services for two distinct needs. The video portfolio is full of creative productions — VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
These are two distinct services for two distinct needs. The video portfolio is full of creative productions — VFX, motion graphics, brand films, and live event campaigns. UGC is raw-style, authentic content made specifically for brands to run as organic or paid social ads. Same quality standard, different format and purpose.
Yes. All delivered content includes properly licensed music where applicable so brands can publish without legal exposure. This is handled on my end, it's not something you need to worry about.
You'll receive platform-optimized exports for wherever the content lives; whether that's broadcast, social, or digital campaigns. Raw files are included in every delivery so you always have the master.
There is a standard of two revision rounds, with additional options available for further revisions.
The more context you bring into the first conversation the better. A brief, reference videos, brand guidelines, and a clear sense of where the content will live all help me hit the ground running. If you don't have all of that yet, we figure it out together on the discovery call.
It happens. The Concept phase exists specifically to minimize it, but when things shift I adapt without it affecting the quality of the final product. I prioritize clear communication to adapt and ensure we continue the project effectively.
It depends on the scope. A single social campaign piece can turn around in one to two weeks. A larger brand film or live event production typically runs four to six weeks from brief to delivery. Timeline is always defined and agreed on during the Concept phase.
Both. Some projects require me on location and others are handled entirely remotely. Scope and logistics are always figured out upfront so there are no surprises on either side.
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Book a call
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Answer a few quick questions, then pick a time. Your call is booked when you submit.