The

Details

Year

2026

Location

Houston, TX

Services

Visual Effects

Editing

The

Brief

Won it. Lost it. Won it back.

One athlete’s arc from the Chevron Championship deserved more than a recap. This piece frames Nelly Korda’s return as a story with a beginning, a low, and a turn, and was released as her sendoff to the U.S. Women’s Open — when the audience most wanted to feel it. The narrative was built first, and VFX was placed at the emotional turns.

Views

18.9K

Views

18.9K

Likes

1843

Likes

1843

comments

7

comments

7

How it Ran

How it Ran

01

Concept

Nelly Korda, the world number one in women’s golf, won The Chevron Championship in 2024. In 2025 she missed the cut. In 2026 she came back to Memorial Park and won it again. The championship’s daily films covered the week; this piece had a different job. Tell the whole comeback as one story — the win, the loss, and the triumph — and make the 2026 victory mean something beyond the result. The thread running through it was what happened in between: by her own account, she had been overcomplicating things in her head. The 2025 failure is what gives the ending its weight.

01

Concept

Nelly Korda, the world number one in women’s golf, won The Chevron Championship in 2024. In 2025 she missed the cut. In 2026 she came back to Memorial Park and won it again. The championship’s daily films covered the week; this piece had a different job. Tell the whole comeback as one story — the win, the loss, and the triumph — and make the 2026 victory mean something beyond the result. The thread running through it was what happened in between: by her own account, she had been overcomplicating things in her head. The 2025 failure is what gives the ending its weight.

02

Capture

The story was built before the edit. Working with the producer, the first step was naming the arc, what the audience had to feel, and exactly where the emotional turn sat. The second was structure: rather than run 2024, 2025, and 2026 in order, the three years were interleaved, so the missed cut sits inside the comeback instead of before it. The material came from four places — live broadcast footage, the team’s own production footage, sound bites, and broadcast audio — and the edit had to weave them so the joins never show. The third decision was how to use VFX. On a 30-second social cut, effects punctuate. Across nearly three minutes they have to carry the story continuously, so they drive the transitions between years and land on the emotional beats rather than decorating highlights.

02

Capture

The story was built before the edit. Working with the producer, the first step was naming the arc, what the audience had to feel, and exactly where the emotional turn sat. The second was structure: rather than run 2024, 2025, and 2026 in order, the three years were interleaved, so the missed cut sits inside the comeback instead of before it. The material came from four places — live broadcast footage, the team’s own production footage, sound bites, and broadcast audio — and the edit had to weave them so the joins never show. The third decision was how to use VFX. On a 30-second social cut, effects punctuate. Across nearly three minutes they have to carry the story continuously, so they drive the transitions between years and land on the emotional beats rather than decorating highlights.

03

Campaign

Released on The Chevron Championship’s Instagram on June 4, 2026 — weeks after the trophy was lifted — as Korda’s sendoff to the U.S. Women’s Open. The timing was the distribution: it went out the week golf fans were already following her into the next major, so the film landed as a send-off rather than a recap. It gave the tournament-week footage a second life and turned one week of capture into a story the championship could post well after the event ended.

03

Campaign

Released on The Chevron Championship’s Instagram on June 4, 2026 — weeks after the trophy was lifted — as Korda’s sendoff to the U.S. Women’s Open. The timing was the distribution: it went out the week golf fans were already following her into the next major, so the film landed as a send-off rather than a recap. It gave the tournament-week footage a second life and turned one week of capture into a story the championship could post well after the event ended.

Harry
Peluso
Harry
Peluso
Harry
Peluso
Harry
Peluso
Harry
Peluso